After Harmony understands harmony not as a fixed goal, but as a fragile and temporary process. The piece creates fields of tension in which harmonic relationships remain unstable and transient.
The work is a purely electroacoustic composition created through an intuitive, listening-based process. It draws on a wide range of audible material, with a particular focus on yodels—from human voices to yodeling monkeys—which are partially transformed and processed.
Structured in five fragments, the piece explores states between order and instability. Harmonic references briefly emerge, condense, and dissolve again, shaping a form driven by the inner tensions of the sound material rather than by stable resolutions.